i walk on the beach a lot. i have noticed that dead birds often come to rest on the tide line, lying in the sand in shapes that i can’t help but find beautiful. i am going to be posting a series of drawings based on the birds i find. i am calling it children of the wind. i hope that others can see the beauty in it too.
read my 100 word story, “derelict”
featured on 100 word story:
there was a feeling of the vastness of the sky. and of being so close to the top of the earth that there seemed little to hold me in place. the landscape, devoid of trees or of anything to measure myself against other than the ship, the icy crags, and the immense horizontal ribbons of sky and sea, made me tiny- as tiny as a footprint, or a fish. at the same time, i felt the power and utter belonging of being so small: anything could happen in this world where a day could elongate into months, and the shifting of the ice crackled like a storm of unseen creatures about to break the surface.
the cat who loved thanksgiving
he was a cat of grand reputation: his miaow melted the hearts of even those who in the secret heart of their hearts did not, in theory, like cats. yet each year he proved again, through the naked wonder of his dilated eyes and drooling stare at the plucked and trussed bird nearly twice his own size, the commonality of dreams. slumbering in the sun, curled in the helpless shape of a turkey-filled belly, he traveled between worlds without moving, his eyes half-open, proof also that dreams and reality are sun-streaked shadows falling across the same rug.
We’re headed to WeWork Golden Gate on Monday, March 2nd, and hot abomunists do we have a show for you!
Monday, March 2, 7pm start « doors at 6:30
$5-10 includes free beer (courtesyLagunitas!) + sPARKLE & bLINK to first 100 (free for WeWork members)
25 Taylor St. near Market
All ages, all forms and formulations
Do you understand? these dozen author people will converge for one evening, each speak their part in an art piece conceived from their creations—one night only—and then walk down the stairs (or take elevator) onto Market St., and make their decisions?
No one turned away for lack of funds, ever. Come make art // breathe //
Quiet Lightning on Facebook: https://www.facebook.com/events/839828619417414/
back in 1999 or so my mother called me from her desk at the cornell synchrotron and said, you better come up here– i’ve got five baby-somethings in my pockets and they smell pretty bad.
our relationship had been rocky for the past year or so, and we were not speaking much: i took this call as a kind of peace offering in the form of five helpless beings whose problem had a clear-cut solution, unlike ours.
i arrived to find my mother typing at her computer, the breast pockets of her button-down shirt bulging, and a faint skunky smell obscuring her rose perfume. they were so cold, she said. i thought if i kept them near my body, it would keep them warm.
one by one, she handed them over: they were hairless, eyes still sealed closed, skin translucent. their organs and bones were visible, and fine blood-red capillaries, like leaf veins, spread in webs across their bodies. they could have been anything: raccoons, skunks, woodchucks. the only clue was their musky smell.
one of the crew found them on the floor of the new tunnel this morning, my mother said. he thinks they fell out of a nest and the mother couldn’t get to them. construction on a new stretch of tunnel for the particle accelerator had been going on for months. my mother liked to call it the atom smasher in front of the physicists, because it bugged them.
i left the lab with the creatures folded up in a sweatshirt. nothing had been settled, nothing resolved, but there was something immediate i could do.
for three weeks i carried the creatures around in a fanny pack, feeding them every three hours with canine milk replacer and an eyedropper, and stroking their bellies with a q-tip to make them urinate. normally their mother would lick them to stimulate their bodily functions. i was dedicated, but not crazy.
my best friend and i talked in the evenings about what they could be. because of the smell, we had settled on skunks or weasels. when their bellies began to show a fine down of white, and their backs a russet stubble, we had our answer. it also came time to make a decision: did we want to keep them as pets? once they opened their eyes, they would probably imprint on us and could not be returned to the wild. even now we might have done permanent damage in saving them and handling them. so i’ve already done the wrong thing by interfering with nature, I said. but aren’t we part of nature? my best friend countered. how is it natural to just sit back and watch things die? these were the kinds of things we talked about. we still do.
the decision, for both of us, was clear: do our best to discover what it is to be a wild weasel, and try to keep our weasels, these weasels, wild. by this time, we’d identified our five creatures as least weasels, the smallest member of the family that includes skunks, otters, and the wolverine. we set up a box in the kitchen sun room where the weasels lived. once their eyes opened, we tried to be sure they never saw our faces, and we never touched them. with sight, they moved from milk to solid food in the form of pinky mice- as vulnerable and hairless and blind as the weasels had been when they were discovered. so one life was sacrificed for another in a necessary, mixed morality.
puck, our cat, would watch from the safe perch of my shoulder, his eyes dilated to black discs, as the weasels tore the pinky mice apart. at least they did it quickly. by this point, there were only three weasels left: two had died from an upper respiratory infection only a week after i’d taken them in, their noses filling with mucus faster than i could suction it out, and their breathing growing more and more faint until it stopped. the three survivors were voracious and fierce, especially the lone female. she was half the size of the males but always killed her food first and then tried to take theirs. at two months old she was fearless, insatiable, and so aggressive she drove puck off when he once became curious enough to stick his nose in the box. she was enormous in personality. in stature, she could curl her body nose to tail and fit perfectly around the outside of a penny.
when the weasels could no longer be contained by the box, it was time to transition them to the outside. we had read up on their habitat, the things they ate, their reproductive lives, everything we could find in a world before all the details were on the internet. i chose an eroded area underneath the barn to set them up: there was a water source and shelter nearby, and an empty field full of bugs and small animals right behind the barn. if they were going to learn to hunt, this was the perfect place.
each day, in the afternoon, I brought a can of wet cat food out to the barn and left it for the weasels. i couldn’t know if they were learning to hunt- all of their meals had come, if indirectly, from my hands. within a couple of days of doing this, they knew to expect me, and would form a greeting party, consisting of a mad weasel dance punctuated by vicious lunging at my ankles from all sides. i learned to distract them with a long stick, dragging the tip behind me through the grass. they chased it, striking and dodging and circling it at high speed. puck and i would watch from a safe distance as they took turns eating and chasing each other around the can.
after a week, one of the males was gone. only two weasels came to meet me for the daily can of food. about a week later, only the female appeared: as fearless and insistent as ever, but so small i only knew she was coming by the swift-moving line of parting grass headed in my direction from the barn. not long after that, i emerged with the can and only puck showed up. together, we searched the ground near the barn, but the weasels were gone.
many years later, my best friend confessed that she was afraid puck had eaten the weasels. tearfully, she told me she thought it might be her fault they had disappeared. it’s possible that this is what happened, but it’s also possible that one or more of them survived. it’s also possible that it was wrong to take them in, to try to change the outcome of their story. it is possible that they died in the jaws of a larger animal or a bird of prey, or when the winter came.
it is also possible that they could have been left to die on the cold floor of that tunnel, before they had ever opened their eyes, their bodies left to decay to bones, over which invisible particles would fly near the speed of light, being accelerated in order to answer other questions: not more important questions, just other questions.
how it came to this
At this moment, Lucky thinks about lowering his head and rushing the cops. In his mind, he sees it play out: their repeated warnings to stop, his perceptions slowing and lengthening in the surge of crisis, the thump and sting of bullets followed by the beloved quiet and the relief of weightlessness. In his favorite dream, Lucky floats, drifting past farmhouses, hovering outside their warmly-lit windows, looking in at the comfort of full bookshelves and thick rugs and old quilts and scarred kitchen tables.
Lucky stands at the highway exit, scanning for oncoming cars. Nearby, stashed in the weed-strewn bushes of the median, lies his backpack stuffed with cash. In the distance, he sees the glint of an approaching vehicle and begins to pace back and forth frantically, hoping to attract the driver’s attention, hoping for the kindness of a stranger who might recognize his distress and give him a ride. When the car begins to slow and pull to the shoulder he sees the red light bar on its roof, and recognizes the insidious shape of a New York State trooper’s blue sedan.
He sets the backpack on the counter in front of the teller’s window and shoves it toward the woman that faces him. On top of the backpack is a note. The note says, I have a gun. Put all the money in the backpack. Do not activate the alarm. Her dark brown eyes lock with Lucky’s for a moment, and then she opens the drawer and calmly fills the backpack with bundles of cash. When her drawer is empty, she hesitates and briefly looks over her shoulder. Lucky snatches the backpack and takes off running out the front door of the casino.
Lucky is up in the blackjack game. He’s nearly doubled the $2000.00 he started with. It looks as if he’s broken the bad streak. A bad streak of days and years. He will pay his brother back, he will look him in the eye and say I’m sorry, but here’s the beginning of what I owe you. He will have a leg to stand on again. One more hand and I’m out. His top card is an ace. He hits and draws a nine. The dealer’s top card is a seven. Lucky goes all in.
In the middle of a thunderstorm and sixty miles southwest of the poker table, a cab pulls up, its wipers working furiously. Lucky slides into the back seat, peeling off his backpack and placing it on the floor by his feet.” I’ll pay you a hundred bucks to run me up to the casino.”
The trailer stinks of tobacco smoke. Around the living room, Lucky picks out traces of his mother- an aquamarine pashmina draped over the easy chair, amethyst and quartz crystals lined up along the window sill. On the coffee table is a Polaroid of Lucky and his brother posing beneath a whitewashed piece of wood with Dude Jail written on it in crude block letters: they are so young they are barely tall enough to grasp the fake bars. Lucky moves down the carpeted hall into the back bedroom, which had been his mother’s. The bed is stripped bare, the closet empty, but the room still smells faintly of the blood orange perfume she wore to kill the smell of his brother’s cigarettes. He tried to hide his own habit from her. Lucky closes his eyes. He and his mother had always had a connection. Sometimes she would call him and tell him what he was thinking, or tell him that she had seen a sign- a dead hawk or deer in the road that meant he should be careful driving. Mostly, he just felt her presence, no matter how far apart they were, watching, knowing. There was a time when he wanted nothing more than to shake that feeling, when it felt like he would never get away from her. Never be alone with his thoughts. He waits. He hears the leaves outside the trailer stir, and a low rumble that must be thunder. Somewhere nearby, a chickadee gives its two-syllable, sinking call. The sounds slide past him like thin, flat sheets of paper. Lucky turns and heads back into the living room. It only takes him five minutes to find his brother’s hiding place. His brother doesn’t trust banks.
Lucky watches his brother move slowly down the steps of his trailer and ease himself into a cab headed for town, on his way to yet another doctor’s appointment. Lucky watches the cab navigate the curve at the end of the road, pass the mailboxes, and disappear south. He smokes a cigarette, and then another. A cicada calls from somewhere overhead in a towering cottonwood tree, and another answers from further into the woods. The air presses down around him, humid and tinged with ozone. Through a break in the trees he sees a portion of the sky darkening from purple to black. A thousand summer afternoons of his childhood flood back over him. He never expected to return to this place. One or two fat raindrops splash the steps around his feet. He lights another cigarette and steps inside.
His brother purchases the ticket and tells him where to claim it. Lucky boards a bus. Beyond the window he watches tall palms stutter past blue and white beaches like the bars of a luxurious prison. He watches the traffic give way to open highway and twilight and darkness. He is going home.
Lucky texts his brother that he has been kicked out of his apartment, that he is living on the streets, sleeping on the beach or climbing the fences of resorts and sleeping on chaise-lounges beside swimming pools. He texts his brother every few minutes. He can’t remember if he’s already texted. He does not know when his phone will die. He texts that he is clean. He texts that he has a job. He texts that he lost his job. He texts that the cops are staking out his apartment and he’s scared and paranoid. He promises that he is telling the truth, will tell the truth, wants to tell the truth.
A $23,000.00 check arrives for Lucky in the mail. A week later, all the money is gone. Lucky texts his brother that he owed all the money to the IRS and they came to his door to collect and he’d had no choice but to give it to them, so can he please wire $70 to pay rent. With a hundred, he can get some food.
Before the heat of the season, before the green and the yellow of the first flowers have pushed up through the old snow, when the trees and the air are still grey and frozen and empty, just a few months back when it still hurts to breathe the air, Lucky’s mother dies.
Lucky texts his mother that he needs $70. Just to pay the rent. A hundred and he could even get some food. Lucky’s mother drives on bald tires to the grocery store, where she agrees to pay the $25 fee to wire him $100. The woman at the counter swipes her card and hands it back, “I’m sorry ma’am but there’s insufficient funds.”
Lucky’s mother sits in the parking lot of the grocery store, enjoying the feel of the heater running. She is watching the crows. They have arrived in flocks of hundreds this winter, settling in the frost-thin branches like glossy black leaves. She has never thought badly of crows like other people do. She thinks they are beautiful and insouciant and self-aware. Like her, they enjoy parking lots. Soon, they depart in a feathery cloud that seems to erupt out of nowhere. She would like to follow them in her car, to see where they go.
Long before any of this, Lucky’s mother wakes in the middle of the night from a dream. She sits up, looking out her bedroom window. A blonde, blue-eyed, baby, seated in a Lotus position, is floating outside. The window is on the second story. She asks the baby what it wants. It says, I’m your baby, let me in.